Album: Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990
Genre: Electronic, Ambient, New Age
Genre: Electronic, Ambient, New Age
Year: 2019
Format: FLAC 24-96
Format: FLAC 24-96
Size : 2.35 GB
Info : Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.
In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection.
In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection.
Tracklist:
Disc 101. Satoshi Ashikawa – Still Space (03:59)
02. Yoshio Ojima – Glass Chattering (05:56)
03. Hideki Matsutake – Nemureru Yoru (karaoke version) (06:26)
04. Joe Hisaishi – Islander (05:13)
05. Yoshiaki Ochi – Ear Dreamin’ (04:45)
06. Masashi Kitamura + Phonogenix – Variation・III (03:35)
07. Interior – Park (04:06)
08. Yoichiro Yoshikawa – Nube (02:14)
09. Yoshio Suzuki – Meet Me in the Sheep Meadow (03:26)
10. Toshi Tsuchitori – Ishiura (abirdged) (05:14)
11. Shiho Yabuki – Tomoshibi (abridged) (02:37)
12. Toshifumi Hinata – Chaconne (04:28)
Disc 2
01. Yasuaki Shimizu – Seiko 3 (01:20)
02. Inoyama Land – Apple Star (06:01)
03. Hiroshi Yoshimura – Blink (04:44)
04. Fumio Miyashita – See the Light (abridged) (06:50)
05. Akira Ito – Praying for Mother / Earth Part 1 (04:14)
06. Jun Fukamachi – Breathing New Life (04:56)
07. Takashi Toyoda – Snow (05:00)
08. Yellow Magic Orchestra – Loom (05:23)
09. Takashi Kokubo – A Dream Sails Out to Sea – Scene 3 (06:47)
10. Masahiro Sugaya – Umi no Sunatsubu (01:12)
11. Haruomi Hosono – Original BGM (15:55)
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